![]() |
|||||||||||||||
|
| |||||||||||||||
![]() | ![]() |
||||||||||||||
![]() | ![]() | ![]() |
|||||||||||||
![]() | ![]() | ![]() |
|||||||||||||
|
1993
Neff
Germany
Gottfried Helnwein
Herausgeber
“WER IST CARL BARKS?”
Retrospective, " Die Ente ist Mensch geworden - Das zeichnerische Werk von Carl Barks"
monograph,catalogue
text by Gottfried Helnwein. with an interview of Carl Barks by Gottfried Helnwein on July 11, 1992, Oregon texts by Roy Disney, Gottfried Helnwein, Carsten Laqua, Andreas Platthaus und Ulrich Schröder - The exhibition was shown from 1994-1998 in the following museums: Münchner Stadtmuseum, München. Wilhelm Busch Museum, Hannover. Museum für Angewandte Kunst, Köln. Museum für Kunst und Gewerbe, Hamburg. Landesmuseum Mainz, Rheinland Pfalz, Mainz. Kunsthalle Schwaben, Baden Würthemberg. Museum Zitadelle Spandau, Berlin. Ludwig Museum, Schloss Oberhausen. Städtische Galerie am Fischmarkt, Erfurt. Städtische Galerie Ravenberger Park, Bielefeld. - The show was seen by more than 400,000 people. |
||
|
Hardcover, 296 pages, ISBN 3-8118-5341-4
|
||
|
||||||
|
|
||||||
|
|
||||||
|
VORWORT BY ROY DISNEY
Wir sind Gottfried Helnwein zu grossem Dank verpflichtet, dass er die erste bedeutende Ausstellung von Carl Barks' Kunstwerken und den damit verbundenen Katalog ermöglicht hat. Gottfried Helnwein, selbst ein anerkannter Künstler, hat der Kunstwelt mit diesem Projekt einen grossen Dienst erwiesen, indem er über 300 Arbeiten des Künstlers für dieses wirklich bedeutsame Ereignis zusammengestellt hat. |
||
|
GOTTFRIED HELNWEIN, ERINNERUNGEN AN ENTENHAUSEN
Nachts war mein Kinderzimmer in ein tiefes rotes Licht getaucht- meine Spielsachen, die Möbel, mein Bett, meine Hände: alles hatte die gleiche Farbe und schien aus demselben weichen Material zu sein. Als wären die Naturgesetze aufgehoben, schien alle Materie von innen heraus zu glühen. Die Ursache dieser roten Wundernächte war der riesige leuchtende Stern der Roten Armee auf dem Dach der Fabrik gegenüber, der nachts seine Glut in meine Kinderstube goss.
|
||||||
|
|
||||||
|
GOTTFRIED HELNWEIN, MEMORIES OF DUCKBURG
English translation of "Erinnerungen an Entenhausen" ("Micky Maus unter dem Roten Stern")
Opening one of these comic books felt like seeing the daylight again for someone who had been trapped underground by a mine-disaster for many days. I blinked carefully because my eyes hadn’t gotten used to the glistening sun of Duckburg yet, and I greedily sucked the fresh breeze into my dusty lungs that came drifting over from Uncle Scrooge’s money bin. I was back home again, in a decent world where one could get flattened by steam-rollers and run through by bullets without serious harm. A world in which the people still look proper, with yellow beaks or black knobs instead of noses. And it was here that I met the man who would forever change my life - a man who, as the Austrian poet H.C. Artmann put it, is the only person today that has something worth telling us - Donald Duck. |
||
![]() |
HELNWEIN TALKS WITH CARL BARKS
11. July 1992 Grants Pass Oregon Helnwein visits Carl Barks in Grants Pass, Oregon, July 11, 1992 |
|
|
GOTTFRIED HELNWEIN SPRICHT MIT CARL BARKS, OREGON, 11. JULI, 1992
(German translation)
11. July 1992 Barks: "Ja, mit so einem Geldspeicher kann man eine Menge Spaß haben." |
||
|
CARL BARKS - THE AUTHOR
by Charsten Laqua |
||
|
"WER IST CARL BARKS" BY GOTTFRIED HELNWEIN
25. July 2003
Generated by DVEGEN A Guidebook to the Carl Barks Universe This page contains a list of rare art that is printed in the first print of the German book "Wer ist Carl Barks" by Gottfried Helnwein, either in colour or greyscale. |
||
|
Review: CARL BARKS: CONVERSATIONS
01. July 2003 www.eclectica.org Donald Ault, University Press of Mississippi Kevin McGowin Helnwein talks with Carl Barks For me, the real highpoint of Conversations is the 1992 interview with Gottfried Helnwein, the Austrian-born creative genius whom Donald Ault has justly called "One of the greatest conceptual artists of the past hundred years." His interview engages Barks in a spirit of imagination and play, and Barks responds to it: What if there were a real Duckworld? What would its layout be? If anyone can take this idea into the 21st century in current available media, it's Helnwein, whose surreal Duck portraits reveal a dark undercurrent probably always present to one degree or other in Barks's own work—Helnwein's ducks are surreal, haunting, yet strangely funny at the same time. A parody of the dark side of the comic, the work reminds one of Chris von Allsburg, WeeGee, Jim Jarmusch, David Lynch, others. And this is just where the influence is most obvious, in paintings of Donald Duck. . Carl Barks: Conversations, Donald Ault, Ed. University Press of Mississippi (2003) 238 pages |
||
|
Helnwein and the Comic Culture
San Francisco Museum of Modern Art
September 01, 2000 - January 02, 2001 The Darker Side of Playland Childhood Imagery from the Logan Collection www.helnweincomic.homestead.com |
||
|
Intended as a site from Barks fans for Barks fans. Compiled and maintained by Daniël van Eijmeren. Do you have questions, additions, corrections, suggestions? You can mail me at dve@kabelfoon.nl. This site is made for educational purposes only, to get people interested in Carl Barks' life and his art. The only relation between SerieSam.com and this site, is the server space that has been kindly provided. Copyrights on any material on this site belong to the many different owners.
|
||
| 1993 | Neff | Gottfried Helnwein | |
|
| NEWS [ >Ultime novità ] | ARTISTA [ Atelier Biografia Mostre Collezioni Bibliografia ] | OPERE [ selected Works ] | CRITICA [ Selezione di testi critici Critica italiana Critica internazionale ] | STAMPA [ Selezione di articoli dalla stampa Stampa italiana Stampa internazionale Internet ] | CONTATTI [ Guestbook Links ] |