Helnwein ( presse )
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Gottfried Helnwein : Eimear Connelly (detail)
The Irish Times
frontpage
Workmen finish one of a series of prints measuring 9.3 metres by 6.2 metres by Austrian artist Gottfried Helnwein.The prints of Kilkenny children will hang on buildings in Kilkenny as parts of its arts festival beginning on August 10th. ... +
Gottfried Helnwein, Installation and one-man show at the Kilkenny arts festival

Gottfried Helnwein :
The Sunday Times
Cover story
Medb Ruane

Ireland

The disturbing Work of Helnwein comes to Ireland Helnwein is a headline artist who works in tight sound bites on a very large scale. The works brand themselves with proof of his technical know-how in various media and are endorsed by the coolest celebrities of his generation. So much for the cover-story, so what lies within? Headlines lure you into stories that make you want to cry, smile or help to change the world. But when they stop at your own skin, you can get a sinking feeling, a sense of the bigness and badness outside and the impossibility of change. ... +
Gottfried Helnwein, Installation and one-man show at the Kilkenny Art Festival 2001

Irish Independent
news
RECORD numbers are expected to visit Kilkenny's art festival over the next week.
Organisers say attendance at shows and exhibitions on the first weekend indicates that up to 80,000 people will have visited by the time the 10-day event finishes next Sunday.
The main talking point of the festival is a series of paintings including one by world-renowned Austrian painter Gottfried Helnwein, who took an old photograph of Adolf Hitler surrounded by children and replaced it with the Madonna and Child surrounded by SS officers.
Heinwein's paintings are hanging on a number of buildings around the city, including Kilkenny Castle, the National Irish Bank and the Watergate Theatre.
Funding for the festival is the highest to date with the organisers receiving more than £400,000. ... +

Irish Independent
Patricia Deevy
Once an agitated spectator wondered how an apparently nice man could produce such disturbing imagery. Helnwein replied: "What bothers you is the pictures that get triggered in your own head." Perusing a catalogue of his work in preparation for a meeting is a journey through disgust, fear, fascination and admiration to finally - almost - attachment. ... +
Gottfried Helnwein, ONE MAN SHOW IN KILKENNY, 2001

Gottfried Helnwein :
The Irish Times
Aiden Dunne
While it is a painting, Epiphany is typical in its almost interchangeable use of photography and painting: both played their part in the achievement of the eventual, quasi-photographic image. He is a fine photographer, and his photographic portraits of Kilkenny children (enlarged to an enormous scale) form one strand of his festival exhibitions. The careful adaptation of existing imagery is another trait, and his references extend back through fine art history as well as history itself... ... +
Gottfried Helnwein, ONE MAN SHOW, AN INSTALLATION IN KILKENNY, 2001

Kilkenny People
Sean Keane
A major controversy has erupted over plans to hang huge paintings outside City Hall during the Kilkenny Arts Festival. Examples of the paintings to be displayed were shown to members of Kilkenny Corporation on Monday night and it sparked uproar in the chamber.
Cllr Paul Cuddihy rose to his feet and said that the city would be seen to be promoting the people responsible for the Second World War and the Holocaust if paintings like the one handed out at the meeting were allowed to be displayed outside City Hall.
He was referring to a controversial picture by Gottfried Helnwein, the internationally acclaimed Austrian artist who wants to display his work in the city during the Arts Festival. Arts Minister, Sile de Valera had already given the green light to hang some of his latest pieces from the front of Kilkenny Castle. ... +

The Irish Times
Chris Dooley
A former mayor of the city, Mr. Paul Cuddihy, objected to a proposal to display one of the images on the City Hall after it was shown to members of Kilkenny Corporation on Monday night. After visiting the artist at his home in Co.Tipperary, however, the Fine Gael councillor said Mr. Helnwein was an "astonishinlgy good" artist whose works would have a "huge visual impact" on next month's festival. ... +
Gottfried Helnwein, AT THE KILKENNY ART FESTIVAL, 2001

Gottfried Helnwein : American Prayer
ART newsroom.com
Joanna Hayman-Bolt
Any artist who sites Donald Duck and Jesus Christ as the most important influences in their art must be worth taking a look at.
In the row of pristine gallery fronts in London's Cork street, you cannot miss Gottfried Helnwein's show; it's the one with the gigantic Mickey Mouse staring out at you.
The Robert Sandelson Gallery has given us a stunning show of the infamous, Austrian born artist's recent work. Helnwein is on a mission to find the answers to questions that no-one in Austria would give him; such as why the post-war republic portrayed itself as a victim rather than as one of the first main perpetrators of Nazism. ... +
Gottfried Helnwein, one-man show at Robert Sandelson Gallery, London, 2000

Gottfried Helnwein :
Jewish Chronicle, London
Julia Weiner
London show for Gottfried Helnwein, Artist's haunting Nazi-era Images
Austrian artist Gottfired Helnwein's powerful and haunting paintings provide a disturbing commentary on Nazism and the Holocaust, regularly provoking outraged reactions from right-wingers in his native land and in Germany. "I was amazed how much pictures could reach into the hearts and minds of people - and how much they would talk to me about it," he told the JC. "For me, art is like a dialogue. My art is not giving answers, it is asking questions." ... +

Gottfried Helnwein : Peinlich (Embarrassing)
Dazed and Confused
London
Mark Sanders
Helnwein, the controversial Austrian artist whose works is currently on show at the Robert Sandelson gallery in London, has always been a difficult personality to pin down.
He chose to exhibit all three "Epiphany" paintings alongside a series of photographs of 19th century stillborn foetuses in an exhibition entitled "Apokalypse". Hung together in a Dominican church in Weinstadt in Austria, the final effect was one of haunting beauty, each child framed magnificently within the high vaulted ceiling of the church. The juxtaposition of these serene yet poignant images of "beings that never were" placed next to paintings that recalled the ideological terrors of the past, created a synthesis of values as politically dynamic as they were aesthetically entrancing. Yet throughout his career as an artist Helnwein has never ceased to use his work as a way to question his immediate surroundings. ... +


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